Public Collections

  • Akron Art Museum
  • Brooklyn Museum of Art
  • David Winton Bell Gallery, Brown University
  • Canadian Centre for Architecture
  • Cleveland Museum of Art
  • Colby College Museum of Art
  • Columbia University
  • Johnson Museum of Art, Cornell University
  • Cranbrook Art Museum
  • Deerfield Academy
  • Detroit Institute of Art
  • Grand Rapids Art Museum
  • Harvard Art Museums, Harvard University
  • Haverford College
  • High Museum, Atlanta
  • Hood Museum of Art, Dartmouth College
  • International Museum of Photography, George Eastman House
  • Indiana State University
  • Israel Museum, Jerusalem
  • J. Paul Getty Museum
  • Joslyn Art Museum, Omaha
  • Los Angeles County Museum of Art
  • Library of Congress
  • Mast Collection, Bologna
  • Mead Art Museum, Amherst College
  • Montclair Art Museum
  • The Metropolitan Museum of Art
  • Museum of the City of New York
  • Museum of Fine Arts, Boston
  • Museum of Fine Arts, Houston
  • Museum of Nebraska Art
  • National Gallery of Art, Washington DC
  • National Gallery of Canada, Ottawa
  • The Nelson-Atkins Museum of Art
  • New York Public Library
  • North Carolina Museum of Art
  • Norton Museum of Art, West Palm Beach FL
  • Ogden Museum of Southern Art, New Orleans
  • Philadelphia Museum of Art
  • Princeton University Art Museum
  • The Queens Museum of Art
  • Rollins College, Florida
  • San Francisco Museum of Modern Art
  • Smithsonian American Art Museum, Washington DC
  • Snite Museum of Art, Notre Dame
  • Swarthmore College
  • Arthur Ross Gallery, University of Pennsylvania
  • Francis Lehman Loeb Art Center, Vassar College
  • Charlotte & Philip Hanes Art Gallery, Wake Forest University
  • Whitney Museum of American Art
  • Yale University Art Gallery

Solo Exhibitions

  • 2019   Blue Sweep, Yancey Richardson Gallery
  • 2018   Dirt Meridian, Kopeikin Gallery, Los Angeles
  • 2018   Blue Alabama, Jackson Fine Art, Atlanta GA
  • 2016   Dirt Meridian, Joslyn Art Museum, Omaha NE
  • 2016   Jackson Fine Art, Atlanta GA
  • 2015   Galerie Alex Daniels – Reflex Amsterdam
  • 2014   True To Form, David Klein Gallery, Birmingham MI
  • 2014   Dirt Meridian, Yancey Richardson Gallery, New York
  • 2014   Cuba, Couturier Gallery, Los Angeles
  • 2014   East/West, Swarthmore College, Swarthmore, PA
  • 2012   Detroit Disassembled, National Building Museum, Washington D.C.
  • 2012   Detroit Disassembled, Grand Rapids Art Museum, Grand Rapids MI
  • 2012   Andrew Moore: Making History, University Art Gallery, Indiana State University
  • 2011   Detroit Disassembled The Queens Museum of Art, Queens, New York
  • 2011   Detroit/Havana: Photographs, Groton School, de Menil Gallery, Groton MA
  • 2011   Detroit Disassembled, Colby College Museum of Art, Waterville, ME
  • 2010   Detroit Disassembled, Akron Art Museum, Akron, OH
  • 2010   Tambaran Gallery, New York
  • 2010   Reflex Galerie, Amsterdam
  • 2010   Jackson Fine Art, Atlanta GA
  • 2009   Detroit, Yancey Richardson, New York
  • 2009   Andrew Moore: The Urban Landscape of Abu Dhabi, New York University, New York
  • 2009   Koffler Center for the Arts, Toronto
  • 2009   Rosfoto, St. Petersburg
  • 2008   Galerie CM ART, Paris
  • 2008   Rena Bransten, San Francisco
  • 2008   Museum of Nebraska Art, Kearney NE
  • 2008   Jackson Fine Art, Atlanta GA
  • 2007   UBS Moscow Arts Center, Moscow
  • 2007   Museum of Russian Art, Minneapolis
  • 2007   Robert Moses and the Modern City: Columbia University, Museum of the City of New York, The Queens Museum of Art, New York
  • 2007   The Queens Museum of Art, New York
  • 2006   Yancey Richardson, New York
  • 2006   Galerie f 5,6, Munich
  • 2006   Dartmouth College
  • 2006   Jackson Fine Art, Atlanta GA
  • 2004   Craig Krull Gallery, Los Angeles
  • 2003   Jackson Fine Art, Atlanta GA
  • 2002   Yancey Richardson Gallery, New York
  • 2002   Robert Koch Gallery, San Francisco
  • 2002   Craig Krull Gallery, Los Angeles
  • 2002   Lake Austin Fine Arts, Austin, Texas
  • 2000   Craig Krull Gallery, Los Angeles
  • 1999   Paris Photo, France
  • 1999   Carol Ehlers Gallery, Chicago
  • 1999   Yancey Richardson Gallery, New York
  • 1999     Art Miami, Miami FL
  • 1997   Yancey Richardson Gallery, New York
  • 1994   Janet Borden Inc., New York
  • 1993   Lutz Teutloff, Cologne, Germany
  • 1991   Janet Borden Inc., New York
  • 1987   P.S. 1, Special Project, Long Island City NY
  • 1986   Julie Saul Gallery, New York
  • 1985   Real Art Ways, Hartford, CT
  • 1984   Nina Freudenheim, Buffalo NY

Grants And Awards

  • 2014   John Simon Guggenheim Memorial Foundation Fellowship
  • 2011   Michigan Notable Books Selection
  • 2002   Sundance Film Festival, Special Jury Prize
  • 1997   Judith Rothschild Foundation Grant
  • 1996   Cissy Patterson Foundation Grant
  • 1995   Black Maria Festival, Director’s Citation Award
  • 1985   The Kaplan Fund
  • 1984   NYSCA, Exhibition Grant
  • 1983   NYSCA, Sponsored Project
  • 1982   Finalist, Prix de Jeunes Photographes, Arles, France
  • 1981   National Endowment for the Humanities, Youth Grant

Commissions/ Residences

  • 2009   NYU- Abu Dhabi, Exhibition and Accompanying Book
  • 2009   World Monuments Fund/ Knoll International, Main Street Modernism
  • 2006   Artist in Residence, Dartmouth College
  • 2006   Trees Portfolio, Vassar College
  • 2005   Cleveland Clinic, Cleveland OH
  • 2004   Public Art Fund, Governors Island Project
  • 1999   Public Art Fund, Hilton Hotel, Times Square
  • 1998   MTA/Arts for Transit, Lightbox Project at Times Square
  • 1995   MTA/Arts for Transit, Lightbox Project at Grand Central
  • 1993   Dreyfus Corporation, NY
  • 1987   Citibank, New York
  • 1987   Trenam Simmons, Tampa, FL
  • 1980   Downtown Development District / The City of New Orleans

Selected Group Exhibitions

  • 2018   Constructing Identity in America, Montclair Art Museum
  • 2018   Civilization: The Way We Live Now, National Museum of Modern and Contemporary Art, Seoul, South Korea
  • 2018   A Luta Contnua: The Sylvia Perlstein Collection, Hauser & Wirth Chelsea, NY
  • 2018   New Southern Photography, Ogden Museum, New Orleans, Louisiana
  • 2018   Time and Place, Art Museum of Sonoma County
  • 2018   House/esuoH, Selections from the Collection of John and Sue Wieland, Meade Art Museum, Amherst College
  • 2018   Unexpected Encounters, The Nelson-Atkins Museum of Art, Kansas City MO
  • 2018   Fifty Years of Collecting Photographs: The Extended Moment, The National Gallery of Canada, Ontario, Canada
  • 2017   Notions of Home, Yancey Richardson Gallery, NY
  • 2015   ICP Presents: ¡Cuba, Cuba! 65 Years of Photography, Southampton Arts Center
  • 2015   The Memory of Time: Contemporary Photographs at the National Gallery of Art, Washington DC
  • 2014   In Residence: Contemporary Artists at Dartmouth>, Hood Museum of Art
  • 2013   Cidades: Modos de Fazer, Modos de Usar, X Architecture Biennale, Sao Paulo
  • 2013   Dark Blue: The Water as Protagonist, Haggerty Museum, Milwaukee, WI
  • 2012   An Orchestrated Vision, St. Louis Art Museum
  • 2012   Structuring Nature, Walton Arts Center
  • 2011   Detroit Revealed: Photographs 2000-2010, Detroit Institute of Arts
  • 2011   Life and Death of Buildings, Princeton Art Museum, Princeton University, NJ
  • 2011   People, Places, Power: Reframing the American Landscape, Van Every/Smith Galleries, Davidson College, Davidson, North Carolina
  • 2011   American Modern: Abbott, Evans, Bourke-White, Colby Museum of Art, Waterville, ME
  • 2010   Modernism at Risk: Modern Solutions for Saving Modern Landmarks, Center for Architecture, New York
  • 2009   Main Street Modernism, World Monuments Fund/ Knoll International
  • 2009   Glitz and Grime, Photographs of Times Square, Yancey Richardson Gallery, New York
  • 2009   Emmet Gowin, A Collective Portrait, Princeton University, NJ
  • 2009   Rethinking Landscape: Contemporary Photography from the Allen G. Thomas, Jr. Collection, Taubman Museum of Art, Roanoke
  • 2008   A Shared Vision: The Fred and Laura Ruth Bidwell Photography Collection, Akron Art Museum Galerie CM ART, Paris
  • 2008   World Views, University of Northern Iowa
  • 2008   Border Crossing Exercises, Gallery Nord-Norge, Harstad
  • 2008   Focus on Photography, Hood Museum, Dartmouth College
  • 2007   Border Crossing Exercises, Gallery Nord-Norge, Harstad
  • 2007   Room x Room, James Harris Gallery, Seattle, Washington
  • 2007   Allusive Moments, Rena Bransten Gallery
  • 2006   Recent Acquisitions, Philadelphia Museum of Art
  • 2005   On View: Photographing the Museum, Yancey Richardson Gallery, New York
  • 2004   Governors Island, Municipal Art Society
  • 2000   New York Now 2000, Museum of the City of New York
  • 2000   Emmet Gowin and Students, Alfred University, New York
  • 1999   Starry Night, Carol Ehlers Gallery
  • 1999   Ancient History, Yancey Richardson Gallery, New York
  • 1999   Full Exposure: Contemporary Photography, NJ Center for Visual Arts
  • 1998   Disappearing Summer Cinema, Yancey Richardson Gallery, New York
  • 1995   H2O, Yancey Richardson Gallery, New York
  • 1992   Janet Borden Inc., New York
  • 1990   Clocktower, New York
  • 1989   Janet Borden Inc., New York
  • 1989   Suburban Home Life, Whitney Museum of American Art
  • 1987   Light Gallery, New York
  • 1986   George Eastman House, Rochester, NY
  • 1985   International Torino Photo Manifestation, Italy
  • 1985   South Street Survey, Municipal Art Society, New York

Publications and Reviews

  • 2021   Chronogram, Singular Discoveries
  • 2021   Empire of Ruins, Oxford University Press, author Miles Orvell
  • 2021   Nothing Happened: A History, Stanford University Press, author Susan A. Crane
  • 2020   New York Times, Let there be Light, and Art, in the Moynihan Train Hall
  • 2019   Paris Review, Preface from Blue Alabama
  • 2019   National Geographic, Rethinking Cities
  • 2018   T Magazine, The Artists who defined the East Village’s Avant-Garde Scene
  • 2018   The New Yorker, The Glut Economy
  • 2018   The Bitter Southerner, Blue Alabama
  • 2017   List Gallery, Swarthmore College, 25 Years catalogue
  • 2017   Monocle, Backstage Pass
  • 2017   Garsington Opera at Wormsley, Program contributor
  • 2017   Travel and Leisure, Land of Pain and Promise
  • 2017   Icon Magazine, Arcosanti
  • 2016   Omaha World-Herald, Capturing More Than Landscapes
  • 2016   Photograph Magazine, Interview by Lyle Rexer
  • 2016   The New York Times Magazine, Should the United States Save Tangier Island From Oblivion?, Jon Gertner
  • 2016   Port Magazine, Desert Canto: Paolo Soleri’s Arcosanti, Kyle Chayka
  • 2016   The New York Review of Books, Fury Over Fracking, Tim Flannery
  • 2016   Oxford American Magazine, Ride Along with the Cow Police
  • 2016   The New York Times Magazine, Montserrat’s Unexpected Life
  • 2014   Environmental History, Vol. 19, “Looking for Nature in the Rust Belt: the Sublime of Andrew Moore’s Detroit Disassembled”
  • 2013   The New York Times Magazine, American at its Plainest, Article by Inara Verzemnieks, December 8, 2013
  • 2013   The New York Times Magazine, Life Along the 100th Meridian, Inara Verzemnieks, December 6, 2013
  • 2012   The New York Times Magazine, Where is Cuba Going? (cover), Jeremiah Sullivan
  • 2012   The New York Times Magazine, Jungleland (cover), Nathaniel Rich
  • 2012   Cuba, Photographs 1998-2012, published by Damiani Press
  • 2011   The New York Times, Capturing the Idling of Motor City, Mike Rubin
  • 2011   Cousin Corinne’s, Issue #3, Balkan Portfolio
  • 2011   Art in America, (cover) A Planet of Relics, Max Kozloff
  • 2011   National Geographic, Photo Journal
  • 2010   ArtNews, Hilarie M. Sheets, Artist Profile
  • 2010   Detroit Disassembled, essay by Philip Levine, published by the Akron Art Museum and Damiani Press
  • 2010   Making History, Selected Photographs 1980-2010, Reflex Editions
  • 2009   Time Magazine, Pictures of the Year
  • 2009   New Yorker, Vince Aletti, Exhibition Review
  • 2009   The L Magazine, Andrew Moore’s Beautiful Ruins, Deidre Hering
  • 2009   Wall Street Journal, William Meyers, Exhibition Review
  • 2009   Aperture Magazine, Selections from the Detroit Series
  • 2009   New York 400, Museum of the City of New York
  • 2009   la photographie n’est pas l’art, Collection of Sylvio Perlstein
  • 2007   Close Up: Photographers at Work, Ovation TV
  • 2007   Robert Moses and the Modern City, Hilary Ballon and Kenneth T. Jackson, W.W. Norton
  • 2007   Artnews, Hilarie M. Sheets, Exhibition Review
  • 2007   New Yorker, Vince Aletti, Exhibition Review
  • 2007   Conscientious, Interview by Joerg Colberg
  • 2007   New York Times, Martha Schwendener, Exhibition Review
  • 2006   New York Sun, Deborah Garwood, Exhibition Review
  • 2006   Two Views, Cleveland Clinic, pictures by Larry Fink and Andrew Moore
  • 2006   Valley News, Hanover NH, Exhibition Review
  • 2005   Russia: Beyond Utopia, Chronicle Books
  • 2004   Governors Island, Photographs by Lisa Kereszi and Andrew Moore
  • 2004   New York Times, Stray Bowling Balls and Other Ghosts of Governors Island, Sarah Boxer, Photography Review
  • 2004   LA Times, Communism’s Faded Glory, Leah Ollman
  • 2003   New Yorker, Exhibition Review
  • 2003   New York Magazine, Exhibition Review
  • 2003   Village Voice, Vince Aletti, Voice Choice
  • 2004   New York Sun, Talya Halkin, Exhibition Review
  • 2003   The Art Newspaper, Exhibition Review
  • 2003   Atlanta Journal Constitution, Watching Times Incursions
  • 2002   SF Weekly, Moore’s Havana, Exhibit Review
  • 2002   NY Times, A Collage in which Life=Death=Art, Michael Kimmelman
  • 2002   The Nation, Stuart Klawans, Review of How to Draw a Bunny
  • 2002   Inside Havana, Chronicle Books
  • 2001   LA Times, Cuba’s Spirit Resounds in Decaying Spaces, Review
  • 1999   Visual ID, Havana Portfolio, Japan
  • 1999   Chicago Reader, Exhibition Review
  • 1999   Hemisphere Magazine, Havana Portfolio
  • 1999   M, The New York Art World, Cover Image and Review
  • 1999   The New Yorker, Exhibition Review
  • 1999   New York Magazine, Exhibition Preview
  • 1999   Art & Auction, Spotlight Section
  • 1999   Art and Antiques, Preview of Havana Exhibition
  • 1998   Review Magazine, Exhibition review
  • 1997   Harper’s Magazine, Photographs
  • 1997   The Village Voice, Exhibition review
  • 1997   Review Magazine, Two exhibition reviews
  • 1997   The New Yorker, Exhibition review
  • 1995   A Byzantine Journey by John Ash, Random House, Photographs
  • 1994   The Village Voice, Exhibition review
  • 1993   Arch-Text, London, “New York Variations” portfolio
  • 1993   ARTNews. Exhibition review
  • 1989   Suburban Home Life, Whitney Museum, Essay by Miwon Kwon
  • 1988   Present Heaven, Exhibition Catalog, essay by Madison Smartt Bell
  • 1986   The Village Voice, Exhibition review

Film and Video

  • 1996-  Producer/Director of Photography for How to draw a bunny. A feature length documentary on the life and times of the artist Ray Johnson. Awarded Special Jury Prize at 2002 Sundance Film Festival
  • 1996   Flight Sequence for Peter and Wendy, a Mabou Mines Production. Directed by Lee Breuer. Premiered at the Spoleto Festival, Charleston, SC
  • 1995   Director of Photography for Supermarket, directed by David Byrne. Shown at The New York Film Festival.
  • 1995   Director of Photography for Edison, The Wizard of Electricity. Directed by John Walter for The American Experience Series.
  • 1995   La Dolce Vito: A Profile of the artist Vito Acconci City Arts, Thirteen-WNET
  • 1991   Nosferatu, short film, scored by Eliot Sokolov Selected for MTV’s Artbreaks series, and WGBH’s New Television

Teaching

  • 2004-   School of Visual Arts, New York, Master Class, Graduate Program in Photography
  • 2001-2010   Princeton University, Lecturer in the Council of Humanities and Program in the Visual Arts. Initiated first course in Digital Photography and Co-Founder of Annual “The Art of Science” Competition